Edwardian scholars may be interested in the following CFP:
Marginalised Mainstream 2014: Disguise
28-29 November 2014 Institute of English Studies, Senate House, University of London; Keynote Speakers: Dr Bronwen Thomas (Bournemouth University), Dr Naomi Braithwaite (Nottingham Trent University)
‘I like to reinvent myself — it’s part of my job.’ – Karl Lagerfeld
In 2014, the Marginalised Mainstream conference will consider the varieties, motivations, and meanings of disguise. From secret identities to theatrical performances, from fictional fabrications to factual concealment, disguises of all sorts are part of mainstream culture. This event will explore various manifestations of disguise in popular fiction, media, and culture that have previously been academically marginalised.
Fictional instances of disguise range from Scooby-Doo to Superman, and have a long history in theatre, novels, and film. Factual disguise can also impact mainstream media, whether it be the subtle advancement of a concealed agenda in gay fiction of the 1960s, the academic impact of the Sokal hoax in the 1990s, or J. K. Rowling’s recent attempt to publish pseudonymously. Textual disguises, such as that of the murderer of Roger Ackroyd or the identity of Keyser Söze, retain the power to shock.
The motif of disguise appears in fiction and film, in real life and virtual reality. The prevalence of such masking and unmasking poses pressing questions for popular culture: when does disguise reveal as well as conceal? How do marginalised genres or media subtly alter mainstream opinions, while masquerading as mere amusement? How do changing fashions, in clothes, in texts, or in tastes, affect the ability to create disguises? Is critical marginalization an attempt to “disguise” the value of the mainstream?
This year’s conference will offer a forum for new perspectives on the operation and meanings of such masking and unmasking in fiction, media, performance, other cultural productions.
We invite 250-word abstracts focusing on literature, cultural studies, art history, film studies or other disciplines. Subjects could include, but are far from limited to:
* Fictional secret identities (spies, superheroes, criminals)
* Role-playing games or narratives
* Re-purposing genres
* Undercover agendas
* Subversion of narrative expectations
* Deceptive focalization
* Dramatic irony
Please send proposals for 20-minute papers along with a brief biographical note to Sam Goodman, Brittain Bright, and Emma Grundy Haigh at firstname.lastname@example.org by 30 May 2014.
If you are applying for a visa or funding and need a response sooner than 1 July, please submit your abstract by 2 May, and note your early notification needs in your submission.
‘Oh, they never lie. They dissemble, evade, prevaricate, confound, confuse, distract, obscure, subtly misrepresent and willfully misunderstand with what often appears to be a positively gleeful relish and are generally perfectly capable of contriving to give one an utterly unambiguous impression of their future course of action while in fact intending to do exactly the opposite, but they never lie. Perish the thought.’ – Iain Banks