Arnold Bennett has been described as a materialist, a realist, a writer whose novels have ‘a narrative emphasis on the drab, the squalid and the mundane’.  He was, however, also capable of dreaming. In one such dream, he writes that he ‘stood by my own dead body and saw the pennies upon my eyes. I cannot remember at this distance of time what the rest of the dream was, but it had to do with the adventures of a soul after death’.
Never one to waste good material, Bennett immediately saw the potential for a story, and in May 1908 he wrote the short story ‘The Glimpse’ about the proprietor of a Staffordshire earthenware factory who has an out-of-body experience whilst lying in bed close to death. Bennett quickly came to the view that the material of the story was capable of being much more fully developed into a full-length novel with sound commercial prospects. Belief in Spiritualism was widespread, so the story of a soul’s adventures at the point of death would not lack a potential audience. Bennett wrote and published his approximately 70,000 word novel The Glimpse in 1909, between his two longer and better-known acknowledged masterpieces The Old Wives’ Tale (1908) and Clayhanger (1910). Continue reading