Tag Archives: british art

The Edwardian Royal Academy

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To mark two-hundred and fifty years of the Royal Academy, the Paul Mellon Centre and the RA have just launched a major online project, The Royal Academy Summer Exhibition: A Chronicle 1769-2018. The website not only contains links to all the summer exhibition catalogues, but includes short essays exploring every single year of the show. This is obviously exciting news for anyone interested in art in Britain, and also for scholars of Edwardian culture. Explore the Edwardian Royal Academy here.

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Ten Edwardian Paintings at the Yale Center for British Art

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Spencer Gore, Ballet Scene from ‘On the Sands’, 1910, Yale Center for British Art

The Yale Center for British Art – the largest collection of British art outside the UK – reopened this week after a sixteen-month building conservation project. The re-installation of the collection tells the story of British art from the sixteenth century to the present day, while a special exhibition focuses on the collection of the late Rhoda Pritzker, who purchased a wide range of twentieth-century paintings and sculpture. Several works from the long Edwardian era can currently be seen in the galleries, including the ten images listed below:

  1. Spencer Gore, Ballet Scene from ‘On the Sands’, 1910
  2. Walter Sickert, Carolina dell’Acqua, 1903-4
  3. Duncan Grant, Vanessa Bell at her Easel, 1914
  4. Augustus John, Dorelia in the Garden at Alderney Manor, Dorset, c.1911
  5. Roger Fry, The Artist’s Garden at Durbins, Guildford, c.1915
  6. Alfred Munnings, Gypsy Life — The Hop Pickers, 1913
  7. Frank Brangwyn, Departure of the Bucintoro, 1910
  8. Charles Ginner, Design for Tiger Hunting Mural in the Cabaret Theatre Club, 1912
  9. Gwen John, Study of a Nun, Seated at a Table, c.1915
  10. Spencer Gore, Cambrian Road, Richmond, 1914

 

Early Career Researchers in British Art

Harold Gilman, "Stanislawa de Karlowska", c. 1913  (Yale Center for British Art)

Harold Gilman, “Stanislawa de Karlowska”, c. 1913 (Yale Center for British Art)

Edwardian scholars may be interested in the Early Career Researchers in British Art Network, the aim of which is to support ECRs working in the field of British art history. The Paul Mellon Centre for Studies in British Art will host regular afternoon gatherings where members can gather to present short papers, offer one another feedback, discuss their experiences and share information about career-related topics. They also hope to invite speakers to give career development advice, and to workshops on popular topics if there is demand. Their website includes a list of researchers, events, and featured ‘research journeys’. They will be hosting three events in the coming semester, details of which can be found here.