The following CFP may be of interest to Edwardian scholars:
University of York, Conference 10th May 2013; Call for Papers deadline: 10th December 2012
Keynote Speakers: Professor Christopher Pinney (UCL), Dr Eric Stryker (Southern Methodist University). Introduction and plenary discussion led by Dr Chad Elias (University of York) and Dr Sarah Turner (University of York).
‘European mastery is always in crisis – and it is this same crisis that defines European modernity’ – Empire, Michael Hardt and Antonio Negri
The word ‘crisis’ is frequently invoked to assess Britain’s current place in the world: crises in finance, journalism, politics and geopolitics dominate the media, all of which see the term used both to reflect, and manipulate, a sense of uncertainty and confusion on personal, national, and global levels. Taking its cue from Hardt and Negri’s location of ‘crisis’ as central to European modernity, this conference seeks to explore how visual cultures in Britain during the 19th and 20th centuries have simultaneously responded to – and emerged from – the successive crises that have been deemed to constitute the country’s (post)colonial modernity. Crisis might signify avant-garde break-through and embrace of modernity. It might impel artistic breakdown or flight from modernity, anarchic celebration, or resistance in the form of protest. Crisis in visual culture could above all be emblematic of the contingent nature of personal and political identities. As both a product and a precipitant of the inter-state and inter-subjective networks that have emerged in conjunction with imperialism and economic globalisation, crisis can articulate a disharmony between metropole and colony, centre and periphery, state and individual, working constantly to disrupt the geographical, cultural and class boundaries of ‘Britain’. Continue reading