Tag Archives: realism

On Arnold Bennett (3): The Most Modern Writer I Know

Electric Tram in Stoke-on-Trent

Electric Tram in Stoke-on-Trent

‘All Mr. Bennett’s stories have the one striking attribute – a lavish vitality expended, not on sentiment or on philosophy, but on sheer joy in contemporary life as a spectacle. His novels and what he calls his fantasias are equally modern in spirit. He is the most modern writer I know; for modernity with him is not not so much a matter of reflection or argument, but the air in which his temperament naturally exists. I do not deny him reflections or arguments; on the contrary, he reflects and argues, as a critic, exceedingly well. But primarily he is a poet, and I know no other absolutely modern English novelist of whom this can be said. Such things as the Bursley electric trams and Bursley corporation, London law courts, and plutocratic excesses in the Riveria, are integral and fully dissolved elements of his imaginative experience. He feels their poetic content quite spontaneously. If his medium were verse instead of prose, his work would utterly confute the Stevensonian dogma that the word “hatter” is impossible for emotional verse’ (J. E. Barton, ‘Fiction and Mr. Arnold Bennett’, New Age, 3rd December 1908)

For more information on our upc0ming symposium (‘Arnold Bennett and His Circle’), see here (or e-mail us at edwardianculture@hotmail.co.uk for a draft programme of the day’s events).

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On Arnold Bennett (2): Realism and Reality

conbenn

‘My dear Sir,
The reading of the Man from the North has inspired me with the greatest respect for your artistic conscience. I am profoundly impressed with the achievement of style. The root of the matter – which is expression – is there, and the sacred fire too […] Generally, however, I may say that the die has not been struck hard enough. Here’s a piece of pure metal scrupulously shaped, with a true – and more – a beautiful ring: but the die has not been struck hard enough. I admit that the outlines of the design are sharp enough. What it wants is a more emphatic modelling; more relief […] Nothing would give me greater pleasure than to have it out with you, the book there on the table, to be thumped and caressed. I would quarrel not with the truth of your conception but with the realism thereof. You stop just short of absolutely real because you are faithful to your dogmas of realism. Now realism in art will never approach reality. And your art, your gift, should be put to the service of a larger and freer faith’ (Joseph Conrad to Arnold Bennett, 10th March 1902)

For more information on our upc0ming symposium (‘Arnold Bennett and His Circle’), see here (or e-mail us at edwardianculture@hotmail.co.uk for a draft programme of the day’s events).