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Upstage: A Journal of Turn-of-the-Century Theatre

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The fifth issue of UpStage: A Journal of Turn-of-the-Century Theatre, is now available online.

In it, you will find:

– Two scholarly articles: Suzanne J. Flynn analyzes Thomas Hardy’s rarely-discussed play The Dynasts, and Jill Wolfe sheds light on little-known late-Victorian Scottish popular theatre companies.

– A “Current Research” section focused on Italy: Antonius J. Jesenšek discusses G. B. Shaw’s reception in Italy, and Maria Pia Pagani introduces a multimedia research project at the University of Turin dedicated to fin-de-siècle theatre.

– Several book and performance reviews: Ibsen’s Foreign Contagion: Henrik Ibsen, Arthur Wing Pinero and Modernism on the London Stage, 1890-1900 by T. Carlo Matos (reviewed by Petra Dierkes-Thrun); Symbolism in Nineteenth-Century Ballet: Giselle, Coppelia, The Sleeping Beauty and Swan Lake by Margaret Fleming-Markarian (reviewed by Heather Marcovitch); Strindberg: A Life by Sue Prideaux (reviewed by Sven-Johan Spanberg) Continue reading

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Upstage: Call for Submissions

UPSTAGE, a peer-reviewed online publication dedicated to research in turn-of-the-century dramatic literature, theatre, and theatrical culture, is seeking submissions for its Winter 2012-13 issue. This is a development of the pages published under this name as part of THE OSCHOLARS, and is now an independently edited journal in the Oscholars group published by Rivendale Press at www.oscholars.com, as part of our expanding coverage of the different cultural manifestations of the fin de siècle. UPSTAGE is indexed by the Modern Language Association.

Topics may include, but are not limited to, the work of Shaw, Schnitzler, Ibsen, Chekhov, Strindberg, von Hofmannsthal, and their contemporaries in Western and Eastern Europe and beyond.

UPSTAGE welcomes a variety of theoretical and critical methodologies. We are interested in receiving: Continue reading